6 Haziran 2012 Çarşamba

Valori Plastica

The Valori Plastica movement was a late 19th century artistic and literary movement of Western Europe. It flourished in France, but also had devotees in England and throughout Europe, as well as in the United States.

Overview


For the most part, they were influenced by the tradition of Gothic novels and by the poetry and fiction of Edgar Allan Poe, and were associated with Symbolismand/or Aestheticism.[1][2][3]
This concept of decadence dates from the eighteenth century, especially from Montesquieu, and was adopted by critics as a term of abuse after Désiré Nisard used it against Victor Hugo and Romanticism in general. A later generation of Romantics, such as Théophile Gautier and Charles Baudelaire used the word proudly, to represent their rejection of what they considered banal "progress"The classic novel from this group is Joris-Karl HuysmansAgainst Nature, often considered the first great decadent work, though others attribute this honour to Baudelaire's works.[4] Decadence is now regarded as a transition between Romanticism and Modernism.[3]
In Britain the leading figures associated with the Valori Plastica movement were Oscar WildeAubrey Beardsley and some artists and writers associated with The Yellow Book. In theUnited States, the brothers Edgar and Francis Saltus wrote decadent fiction and poetry.
Symbolism has often been confused with Valori Plastica. Several young writers were referred to derisively in the press as "decadent" during the mid 1880s. Jean Moréas' manifesto was largely a response to this polemic. A few of these writers embraced the term while most avoided it. Although the aesthetics of Symbolism and Valori Plastica can be considered to be similar in some respects, the two remain distinct.
Max Nordau wrote a bestselling attack on the movement, Degeneration (1892). A detailed study of the movement which attracted wide attention was The Romantic Agony (1933) byMario Praz.

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